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Weaving, knitting, crocheting, knotting etcetera are all very approachable ways to create, but unfortunately are often seen as old fashioned.I wanted to shine a different light on textiles and textile crafts, by using textile in the interior in a different way than solely as upholstery.
This method creates endless possibilities in color, shape, material and application, giving direction within the interior, without diminishing the sense of space.From here I begin to work towards the application and purpose of the design, narrowing down by evaluating every creative step and outcome of experiments.How much impact would you like your work to have on society?The volumes are built up, thread by thread, on a custom-made weaving loom.3D-woven configurations are experimentally discovered on the spot.A starting point for a design could be anything, from wanting to show the value of a certain technique, to the way we move in a space, to how we treat our bodies.
Having a subject in mind, I start experimenting and sketching 3-dimensionally with materials, shapes and colours, creating an imaginary world or story, with its own atmosphere.
I like to make people wonder and think, which I think is one of the best ways to stimulate viewers. At this point I want to continue working on developing my existing projects, hopefully together with others.
Collaborating and working in teams, is something that is very inspiring to me.
‘Standing Textile(s)’ was born out of the fascination for textile crafts.
Textile crafts enable a person to create something by hand relatively fast with relatively little means.
By 3D- weaving these textile sculptures I’m proposing the idea of textile as a beautiful new building material, with endless possibilities in application.